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On an ancient, nameless world, latter-day tomb raiders have unearthed the ultimate
trophy: the key to the mystery of death-- and the promise of immortality. But the
desecration has not gone unnoticed, nor will it go unchallenged as a terrifying
conflict between ordinary mortals, a mysterious superrace, and a force beyond
life itself erupts on the Babylon 5 space station. Dr. Richard Bryson arrives
on Babylon 5 with the extraordinary artifact that sent his comrades to a horrifying
death. Pursuing him is an envoy of the Soul Hunters: enigmatic beings who harvest
and preserve the essence of the dying. Caught in the middle are the residents of
Babylon 5, including Captain Elizabeth Lochley, Michael Garibaldi, and Zack Allan.
None of them knows the shocking truth about the ancient Vessel of Souls. But when
an armed armada of Soul Hunters arrives to reclaim their wondrous prize, the stage
is set for an apocalyptic day of reckoning for all...
Babylon 5 is
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In the simplest of terms, the deal fell apart. I took a neutral step back and
diplomatically told the people who asked about it that
there had been a "change" in the contract terms, and we had thus far been unable to resolve it.
And that's where I left it, until I was sent an email about a posting in the newsgroups
that went like this:
ANSWER (from J. Michael Straczynski): We pulled the book. For
a variety of reasons, it wasn't where we wanted
it to be, and the quality we needed it to be, so it was dropped. We
hope we can try and do something else with the novelist at some point in
the future.
This was so far off course that I was furious, but my agent asked me to let it go and not respond.
I was going to anyway, but I dragged my feet and never did it. Then the same statement
appeared in Issue #174-A of THE ZOCALO, which was emailed to nearly eight thousand people. I felt I couldn't not reply to this, and my
response was printed in issue #174-B. That it was the final issue was just
a coincidence of timing, nothing else. This was my response which the moderators of various B5 newsgroups conveniently refused to either acknowledge or post:
Because I dared to publicly disagree with J. Michael Straczynski, I've received emails
like the ones I describe below from Babylon 5 fans. JMS and Fiona Avery, the
reference editor, have, I'm told, responded by posting elsewhere on the net, but
I can't find the postings so I can't accurately reply to them-- I don't know what they
say other than what a few friends have told me second-hand.
So listen up, because this is the last you'll hear of it from me:
There were no personal attacks in my ZOCALO response, just a simple
statement of exactly what transpired regarding this book contract. My
response was read by my agent, who also knows the facts, to assure that I
maintained an unemotional tone. Again, I don't know firsthand the context of
the replies by JMS or Fiona Avery elsewhere on the internet other than mentions in
emails sent to me by friends, so for the most part, I cannot accurately
answer them.
This is the bottom line: I had no reason to nor did I lie or exaggerate.
As far as I knew, Fiona Avery did not request a "credit" or an "acknowledgment". In
fact, the manuscript I turned in quite enthusiastically thanked her, Joe,
and several other people for the help they provided. As a side note, both the editor and Babylonian conveniently forgot that they approved the outline I submitted. In the end, however, Joe did not like my writing style. That is, of course, his prerogative. Although I was disappointed, I agreed to rewrite it. Then as I stated, the editor informed
me that for the book, after rewriting, to be published, Fiona's name must be on it in a
"written with" capacity-- as co-author of a book she did not write. If
Fiona believes this was a miscommunication, then she should by all means
discuss this with the editor who relayed this to me. It would certainly be a
shame for this book to never see publication because of incorrect information.
I've been writing for a long time and I am well-acquainted with the
writing profession. I am not looking to make a "case" or to win an
argument. I am not arguing, just telling the facts of what happened
to me. There is no right or wrong here, just the way it happened and
the way it ultimately turned out. Fans and viewers do not know the demands handed to me-- all of which I
agreed to except for the final one that killed the deal. At the
end of it all, I was asked to reconsider but never given another option (such
as using "additional material provided by" instead of "written with");
it was a take it or leave it term unexpectedly
added to a contract which had been signed by the
parties months earlier.
There are people who believe I should just sit quietly and allow the posting
to go unchallenged. Before declaring this to be the best course of
action, consider the damage done to the career of a midlist novelist
when someone with J. Michael Straczynski's power states publicly that the
quality of her work -- which is always a matter of personal opinion -- was
not acceptable. Babylon 5 fans have also overlooked an important fact:
I, too, was a long-time Babylon 5 fan. Does anyone in their right mind
truly believe a Babylon 5 lover would walk away from a B5 book
because she had to say "thank you" to someone? Be serious. This
didn't simply fall out of the sky-- my agent and I sought a Babylon 5
project for well over a year. When it came through, I worked extremely hard
on it and was willing to continue to do so within their constraints. And
despite JMS's initial post, Babylonian has made no offers to work
with me in the future, and my agent and I were well aware when I walked
from the deal that none would ever be forthcoming.
So now you know. I love what I do-- write-- and most of the time, 99% of it, I love
hearing from the people who read my stuff, whether they like it or not. But this
wasn't a good experience. I'm human, and it left me angry and hurt. Then the
posting by JMS reopened a wound that hadn't had time to close, much
less heal. Now
I'm tired of agonizing over it. I spent months working on
it, researching and writing, including throwing away a dream
vacation that'd been in the works for eight months, just so I could do it. I spent
more months being twisted around by the people involved
in the project who had more power than
I. At the end of it all, what I received in return was basically a hard way to
go. What you read on this page is it as far as what I will have to do with
Babylon 5: The River of Souls. I don't need any more nasty
emails from people who don't really know what went on and who fire off missives
calling me "petty and childish," "unprofessional and ungrateful." If you weren't on
the telephone with me, my editor, my agent, and Babylonian Productions, then
face the fact that you have no idea what really went on. Don't
send me emails about it; I won't answer them-- I won't even read them.
"Talk amongst yourselves."
--y.n.--
It would have been beautiful, wouldn't it? I thought so. But unless some sort of
minor miracle occurs, it's never going to happen.
QUESTION: What's happened to the novelization of "River of Souls"?
"In response to the numerous emails I've received about the JMS posting in
the newsgroups and the statement in The Zocalo,
please note that the novel version of River of Souls was not "pulled" or "dropped"
until after I walked away from the deal last summer. The editor (who never read
the samples of my work he was initially sent and who also told me the
manuscript I submitted to him was "great") came back later and told me that
the book had been rejected because my style was too different from the
other B5 books. At that point he changed his opinion and heavily criticized
the manuscript. I was asked to rewrite it, and I agreed. Then the editor
decided that I should do so based on a detailed outline and history that he
would obtain now, -- after-- I'd already written the novel. I still
agreed. Then I was told that the reference editor at Babylonian had
declared that if she was to provide the facts upon which to base the
rewritten book, she also insisted on having her name on it in a "written
with" capacity. I felt this was grossly inappropriate and at that point, I
walked away from the deal. In any event, I knew and loved the subject
matter, and I enjoyed working on the novelization. I do not believe, now
or ever, that there was a "quality" problem with the book, or with my
writing, and I think my existing work shows that."
Summer, 1998
While things didn't work out, Yvonne still had a marvelous time in the "midst" of it. We don't want to forget those, so here's a look at some of the good B5 times from July 1998.
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